patteren: references

Anselm of Bec. Proslogion
London: Penguin Books Ltd, 1973
Translated by Sister Benedicta Ward, S.L.G.

Aristotle. Metaphysics

Armstrong, Karen. A History of God
New York: Ballantine Books, 1993

Ciardi, John. How Does a Poem Mean?
Boston: The Riverside Press Cambridge, Houghton Mifflin Company, 1959
meta33
meta35
meta64: page 764

Clark, Kenneth. Civilsation.
New York: Harper & Row Publishers, Inc., 1969
meta35: page 61
meta86: pages 61-65, 77

Coleridge, Samuel Taylor. Biographia Literaria, 1817

Cowell, Henry. New Musical Resources.
New York: Cambridge University Press, 1996
meta21

Damon, S. Foster. A BLAKE DICTIONARY The Idea and Symbols of William Blake
Boston: Univeristy Press of New England, 1988

Dante. Inferno. Divine Comedy
text

Duby, Georges. Europe of the Cathedrals 1140-1280.
Geneva: Bookking International, 1995

Eco, Umberto. Serendipities, Language and Lunacy
Translated by William Weaver
New York: Columbia University Press, 1998
meta94

Eliade, Mircea. Cosmos and History, The Myth of the Eternal Return
Translated from the French by Willard R. Trask
New York: Harper & Row, 1959
meta77: page 4
meta81: page 19

Emerson, Ralph Waldo. Early Poems of Ralph Waldo Emerson.
New York: Thomas Y. Crowell & Company, 1899

URIEL

It fell in the ancient periods
Which the brooding soul surveys,
Or ever the wild Time coined itself
Into calendar months and days.

This was the lapse of Uriel,
Which in Paradise befell.
Once among the Pleiads walking,
Said overheard the young gods talking,
And the treason too long pent
To his ears was evident.
The young deities discussed
Laws of form and metre just,
Orb, quintessence, and sunbeams,
What subsisteth, and what seems.
One, with low tones that decide,
And doubt and reverend use defied,
With a look that solved the sphere,
And stirred the devils everywhere,
Gave his sentiment divine
Against the being of a line:
"Line in nature is not found,
Unit and universe are round;
In vain produced, all rays return,
Evil will bless, and ice will burn."
As Uriel spoke with piercing eye,
A shudder ran around the sky;
The stern old war-gods shook their heads,
The seraphs frowned from myrtle-beds;
Seemed to the holy festival,
The rash word boded ill to all;
The balance-beam of Fate was bent;
The bonds of good and ill were rent;
Strong Hades could not keep his own,
But all slid to confusion.

A sad self-knowledge withering fell
On the beauty of Uriel.
In heaven once eminent, the god
Withdrew that hour into his cloud,
Whether doomed to long gyration
In the sea of generation,
Or by knowledge grown too bright
To hit the nerve of feebler sight.
Straightway a forgetting wind
Stole over the Celestial kind,
And their lips the secret kept,
If in ashes the fibre-seed slept.
But now and then truth-speaking things
Shamed the angels' veiling wings,
And, shrilling from the solar course,
Or from fruit of chemic force,
Procession of a soul in matter,
Or the speeding change of water,
Or out of the good of evil born,
Came Uriel's voice of cherub scorn;
And a blush tinged the upper sky,
And the gods shook, they knew not why.

-Ralph Waldo Emerson (1803-1882)

Farr, Judith. The Gardens of Emily Dickinson
Cambridge, Massachusetts: Harvard University Press, 2004

Honour, Hugh & Fleming, John. The Visual Arts: A History
Englewood Cliffs, New Jersey: Prentice Hall, Inc., 1982
meta54: pages 120, 138

Kandinsky, Wassily. Complete Writings on Art
New York: Da Capo Press, 1994
On the Spiritual in Art and Painting In Particular
meta14: page 130

Kuck, Loraine. The World of the Japanese Garden From Chinese Origins to Modern Landscape Art
New York, New York: John Weatherhill, Inc., 1968
meta71: pages 35, 196-197

Jung, Carl G. Man and His Symbols.
New York: Dell Publishing Co., Inc., 1964
Part 2: Ancient Myths and Modern Man, by Joseph L. Henderson
meta81: pages 95-155

Jung, Carl G. Synchronicity, An Acausal Connecting Principle.
Translation by R.F.C. Hull.
Princeton, New Jersey: Princeton University Press, 1973
meta84: page 11
meta85: page 6

Longfellow. Henry Wadsworth.
translation of Dante's Inferno

The Last Two Million Years, Reader's Digest History of Man
New York: The Reader's Digest Association, 1973
meta81: page 194

Simon & Schuster's Guide to Mushrooms
Lincoff, Gary H., Editor
New York, New York: Simon & Schuster, 1981
pages 30-31

Pei, Mario. The Story of the English Language, Revised Edition
New York: J.B. Lippincott Company, 1967
meta95

Panofsky, Erwin. Gothic Architecture and Scholasticism.
Cleveland, Ohio: Meridian Books, 1986
meta82: page 6
meta83: page 9
meta84: page 14
meta85: page 13

Sacks, Oliver. Oaxaca Journal
Washington, D.C.: National Geographic Society, 2002

Scully, Vincent, Jr. Modern Architecture, The Architecture of Democracy.
New York: George Braziler, 1961

Shah, Idries. The Sufis
Introduction by Robert Graves
New York: Anchor Books, Doubleday & Company, Inc., 1971
meta28: pages xxiv-xxv
meta62: page xvii
meta65: page 13

Shaw, George Bernard. The Quintessence of Ibsenism.
Introduction by Robert Graves
New York: Dover Publications, Inc., 1994
meta83: page 6

Summerson, John. The Classical Language of Architecture.
Cambridge, Massachusetts: The M.I.T. Press, 1987

Tachibana no Toshitsuna. Shakuteiki, Notes on Garden Design.
English Translation by Joe Earle published in:
Infinite Spaces The Art and Wisdom of the Japanese Garden.
Boston: Tuttle Publishing, 2000

Tàpies, Antoni. Katalog.
Haus de Kunst München, 26. Mai - 13. August 2000
Modern Art, Mysticism and Humour
page 271

Tresidder, Jack, General Editor. The Complete Dictionary of Symbols
San Francisco: Chronicle Books, 2005

Venturi, Robert. Complexity and Contradiction in Architecture.
New York: The Museum of Modern Art, 1985

White, Stewart Edward. The Unobstructed Universe.
New York: E. P. Dutton & Co., Inc., 1940
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Williams, Charles. The Figure of Beatrice, A Study in Dante.
New York: Farrar, Straus & Cudahy, 1961
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